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Give Back Week… The Sequel…

Touch by brionnasweetie2 on Flickr.com

Touch by brionnasweetie2 on Flickr.com

Turns out, one week featuring our “Give Back” philosophy just isn’t enough… This week, we continue to feature the mission work of Jack Fairweather in the Philippines, with “Street Kid Stories” and  some thoughts on “Purpose,” inspired by conversations with Jack…

And in case you missed any of last week’s articles, here’s a quick recap:

Give Like Jesus… by Tim Jones
Jesus did a lot of miracles.  When he encountered a person in need, his first response (with a few exceptions) was to meet the need.  This is certainly an example that he intended us to follow.  But these two miracles were special… he did something a little different… the question is, WHY? (read more)

Missionary Slide Shows… by Tim Jones
We’re artists: photographers, graphic artists, media designers, filmmakers, songwriters, indie bands… The visual and emotional flash that these missionaries need to engage their audiences, hold their attention and get help for Joe and other kids like him… it’s just a “doodle” for us… (read more) 

Initiating Contact… by Tim Jones
There are practical and spiritual reasons that artists should initiate contact with missionaries… (read more) 

Interview with John Prichard and Jack Fairweather… by Tim Jones
I hooked up with student filmmaker, John Prichard, and missionary, Jack Fairweather, to talk about Jack’s work with street kids in the Philippines and the short film that John is making about the mission there… (more)

Arise! Mission Video… by John Prichard
Pre-release of John Prichard’s short film featuring missionary, Jack Fairweather. (watch it now)

Flickr Friday…

This week, we asked our Flickr contributors to focus on missions…

Click on the image to advance the player…

Missionary Slide Shows…

"I want to tell you a story about Joe.  He's the little boy on the left... the one looking at the camera... can you see him?"

"I want to tell you a story about Joe. He's the little boy on the right... the one looking at the camera... can you see him?"

Bring a missionary with a compelling story into my church for a presentation and I am almost instantly reduced to a blubbering wad of tears and snot… It doesn’t matter if they have slides or media or authentic costumes… I am drawn into the stories.

I am the exception… not the rule.

Most people, especially in the US, are over-stimulated by media.  So, if the presentation is dull or too long or not visually engaging, they check out about 45 seconds into it.  And we’ve all seen that mission trip picture: underexposed foreground that makes the 4 African children playing in the street 100 feet away look like tiny, black specks.  

Take a quick look and go back to text-messaging your girlfriend… and totally miss the amazing story of Joe (third speck from the left) and how he came in dying from malnutrition and malaria three years ago…

Great stories + lousy media = boring presentation.

So, in the minds of church-goers there are basically 2 types of missionaries: interesting and boring.  The interesting ones raise lots of money and the boring ones struggle to get the support they need to make ends meet.

Ironically, the interesting ones often get the support of a couple of rock bands who end up raising money for them so that they can keep doing the work of their ministry… But the boring ones tend to spend a third of their time going from church to church asking for support which comes in the form of pathetic, little love-offerings.

The sad thing is that the boring ones almost always have a great story to tell.  They just need a little help in telling it. 

And that’s where we come in…

We’re artists:  photographers, graphic artists, media designers, filmmakers, songwriters, indie bands… The visual and emotional flash that these missionaries need to engage their audiences, hold their attention and get help for Joe and other kids like him… it’s just a “doodle” for us.  Seriously, a day of pro-bono work from you could make the difference for a ministry that provides food for street children in India or an orphanage in Uganda.

Next:  Why artists have to make the first move…

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