Tag Archive - community

Current Project: Charles Dickens’ Christmas Carol…

I like to share my current projects with you guys when said project isn’t completely hi-jacking my life… Right now, we’re in the final weeks of rehearsal for Charles Dickens’ Christmas Carol… It’s a fun adaptation of the holiday classic that I am directing for the LVC.

Here are a few images from the rehearsals…

Ian Prichard as Scrooge...

A tavernmaid tries to wish Scrooge an 'appy 'oliday...

Scrooge converses with The Ghost of Christmas Past...

Londoners in a tavern enjoying the holiday spirits...

The show goes up on December 1 for five performances… If you are in the Denver area, come check it out.  Admission is free with a food donation to Open Arms Food Bank and registration is open at www.freehumbug.com

LeadershipIssues: Collaboration and Authority…

Take responsibility for creating a collaborative atmosphere for your team...

I don’t particularly enjoy collaborating within an authoritarian leadership structure… And that is largely the structure we encounter in church: Leaders who feel it is their responsibility (or even their “divine right”) to make the final decisions.

I am fortunate to work with a pastor who trusts me to make good choices…

Several years back, however, I worked with a different pastor who was quite the authoritarian… He was the person who introduced me to the pitfalls of collaborating in this context…

In authoritarian settings, I have found my creativity squashed by the realization that, ultimately, the guy in charge was going make a decision… That his opinions were (by default) more weighty than mine, regardless of his level of understanding in the medium…

Frustrating.

Don’t frustrate the creatives under your leadership.  Frustrated creatives do not produce the best results… Often, they give up and go away before the produce any results at all…

Here are a few “do-unto-others” rules for leading collaborative efforts with creatives:

1. Start with a clear vision of purpose. A vision of purpose will allow creatives to flow in their creative gifts, not just in their artistic skill.  A few years ago, I worked with a graphic artists to put together artwork for our Holy Week activities. I told her the theme, asked for a clean, modern look and let he go to work. She came back with several great ideas. We used all but one of them.

In the end, it was satisfying for the artist and I was rewarded with an end-product that far exceeded what I was capable of even envisioning by myself.

2. Start with a clear vision of outcome. This is different than a clear vision of purpose. A clear vision of outcome requires little or no collaboration, only instruction. If you are looking for a specific outcome, don’t ask for creativity, just tell the artist what you want the end result to look like in very specific terms.

Most artists are accustomed to working under specific expectations. The basis of most commercial art is commission… Someone with resources hires an artist to create something specific.

3. Be a team player. This sounds obvious, but you would be surprised at how many leaders see themselves as apart from, or even above, the rest of the team. When you enter into a collaboration, you have to allow that some of your ideas will be trumped or even cast aside…

4. Remember that being the leader does not make your ideas better. This requires a cultivated humility… a choice to view others as more important and their needs before our own.

Do nothing out of selfish ambition or vain conceit, but in humility consider others better than yourselves.  (The Bible, Philippians 2:3)

When I direct a show, I have a few key moments that I want to play out just as I envision them. I lay these out clearly to the actors, musicians or technical artists… I will have other occasions, in the same show, when I specifically request collaboration. In these cases, I layout the theme or message that I want to convey and let the team run with it…

I also allow myself the artistic and human freedom to be wrong. Sometimes, the blocking or technical aspect doesn’t work the way I thought it would… Since the team is accustomed to having the freedom to collaborate, they can help fix it.

If your team does not get the opportunity to routinely question and critique your ideas, then you may not get the input you need to make your collaboration maximize it’s potential awesomeness.

As a leader, take responsibility for creating a collaborative atmosphere for your team… Then sit back and watch the magic happen…

Misjudging Josh: A Case Study…

So, a couple of months back, I asked if you guys ever judge the creativity of a person by how they dress… If you know me, you’re probably looking for the follow-up… some punch line or story about a creative that was misjudged…

Here’s that story…

Josh, as Sky Masterson in Guys and Dolls

This is Josh.

Josh is a student at LVC and I’ve known him for almost 3 years… And until recently, I had no idea that he is a particularly talented actor…
Now, let me put this into context for you: I met Josh when he and his brother helped me build set-pieces for our live nativity event at LVC three years ago… We spent hours building frames and stretching canvas and painting murals and assembling them into the town of Bethlehem…
When I say “hours,” I mean 6 or 8 hours each week for a solid month… doing the kind of work that allows for a lot of “hanging-out” and talking…
In addition to that, I directed him in the nativity drama for three consecutive years…
I’ve sort of watched him grow from a boy into a young man…
Last fall, he invited me to a production of Guys and Dolls by a local youth-theatre with a great reputation… He mentioned in passing that he had one of the principal roles…
We loaded up in the Honda and went to the show…
When Josh took the stage, it took me a moment to recognize him… He seemed so unlike Josh… So much more like the sly, devilish 40’s-era heartbreaker, Sky Masterson (played by Marlon Brando in the film version)… It was some of the most brilliant acting I’ve ever seen in youth theatre (it actually rivals some of the good community and college theatre that I’ve seen)…
Then he started singing…
And dancing…
And I started forming a wonderful plan for Josh’s life…
But after the dust settles, I’m left with the grim realization that I sold Josh short because he doesn’t “seem” creative to me… Which is to say that he isn’t particularly outgoing… And that he doesn’t have a stand-out style… And he kinda slouches…
I acted all surprised that Josh has this outstanding talent, but I realize that he all-but told me on more than one occasion… I think I’ve heard him talk about 5 or 6 different shows or church dramas that he’s done… He’s always very enthusiastic about it… He’s always been right on top of learning his lines and following direction and finding his marks…
But I judged him according to my own (kinda stupid) criteria for creativity…
I misjudged… And I think the worst part is that I missed the great heart he has for expressing himself artistically through acting…
I apologized… He was gracious… And now he has joined the cast of Godspell, throwing himself into it with great enthusiasm…
It’s inspiring, really.
Got a story about your own misjudgement? Know a decidedly “unartistic” artist? Share…

Getting Together…

I love to collaborate with other artists…

Love.  Love.  Love.

Theatrical productions are rife with opportunities to collaborate… It is the single most compelling reason, in my thinking, to do full-scale theatre in the context of arts ministry: It gives purpose, context and accountability to collaborations.

Purpose…

I did a gallery wall at LVC last year as a prelude to launching our arts ministry… It was… nice…

But it lacked any sort of real purpose. The submission ranged from photographic art to pencil drawing to graphic design to painting… It looked diverse and aesthetically pleasing, but floundered thematically in the realm of “inspirational art,” lacking any kind of cohesion.

Our Godspell production, on the other hand, has a great deal of thematic cohesion… While focused largely on Jesus, Himself, it is also filled with themes and images of community and those themes are filling every creative aspect of the production.

Context…

I’ve observed that artists produce best in the context of a larger project. We’ve seen it in our Night In Bethlehem programs that we do with the LVC kids’ ministry… Activating about 70% of the adults and students in our church is a daunting task, but the larger scope and context of the project is part of the allure to volunteers… They can see that they are participating in something much bigger than themselves… There’s a sort of transcendence in it that keeps us coming back to it year-after-year.

A theatrical project gives the same opportunity to use our gifts and talents within a larger context.

I’m not a dancer. So, when it comes time to do a musical, I need a choreographer. Watching her work with the cast and watching that aspect of the show come together is a huge thrill for me. Even when my contribution is limited to operating the iPod…

Accountability…

If space-aliens were to break into my house and judge the whole of humanity by what they found, they’d conclude that earthlings have a strong aversion to finishing projects. Most of the creatives that I know personally have a similar struggle…

Projects with deadlines are either going to make us or break us…

That is, of course, the risk that is inherent in allowing artists to lead artists… I’m pretty sure that our pastor at the LVC has spent a considerable amount of time in prayer about Godspell… specifically regarding it timely completion… He has graciously declined to say so… out loud… but I know that it worries him.

Fortunately, I have the collaborative effort of a stage manager, an assistant director and a production assistant… to keep us on track and on schedule…

We haven’t missed a single deadline… Which reminds me:

Be sure to bring in a few left-brains when you start a big project.

Finally, remember what the Bible has to say about getting together:

Two are better than one,
because they have a good return for their work:
If one falls down,
his friend can help him up.
But pity the man who falls
and has no one to help him up!
Though one may be overpowered,
two can defend themselves.
A cord of three strands is not quickly broken.
- Ecclesiastes 4: 9, 10, 12

Collaboration: Godspell Poster…

I wanted to share this with you guys… It’s a collaborative piece that I put together with Troy Rowe, a photographer that I know at the LVC…

If your in the Denver area and would like to attend our production of Godspell, you can find out more and register for free tickets at GodspellColorado.com.

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